I’m wary of the practice of posting instructions for a new technique to the general art community without providing a structure to demonstrate its potential use. For instance, “here’s a cool idea for a polymer clay veneer”. I’ve seen entire books on this topic with very few real examples of what to do with your cool veneer once you have it. The default seems to be to cut it out with some commercial cutters, poke a hole in it and string it. I’m not trying to be insulting here, I’m trying to inspire a sense of play and exploration before you move on to the next new thing. I’m trying to get you to ask ‘what if’. I’m inviting you to think outside the box and then actually start to work out there. I’m implying that a whole whopping-load of potential is being short-changed if you just move on to the next freebie without working into the possibilities and innovations that are before you.
"Colors of the Canyon" - polymer clay, acrylic paint, handmade
texture plates, annealed steel earwires
Study in building complexity and color
Will you walk away with a finished piece of jewelry? Maybe, maybe not. That’s not the goal. I think it’s more important to walk away with a new skill in your toolbox—perhaps the most important tool—the skill of how to think about your style and your artistic direction and how to steer your work in that direction by being able to move confidently, step-by-step, along that path even when you get home to your own studio without an instructor to look over your shoulder.
"Twilight" necklace - polymer clay, crayons, handmade textures and forms, hand-knit wool cord, Woolywire embellishment